My most recent work explores more graphic line drawings that are inspired by various forms of script Islamic calligraphy, graffiti, and Korean cloud motifs. While these references originate from different cultures, my attraction to this imagery is more formal. There is something lyrical about these marks that I find curiously similar to the way I conceive, originate, and develop my forms, all of which occurs through the act of drawing. I am intrigued by re-introducing drawing at the end of my process and creating another voice in the conversation between form and function.